<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Mark Gridley: Perception of Emotion in Jazz Improvisation</title>
	<atom:link href="http://www.jazzhouse.org/diary/2010/01/perception-of-emotion-in-jazz-improvisation/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.jazzhouse.org/diary/2010/01/perception-of-emotion-in-jazz-improvisation/</link>
	<description>The world as heard by the JJA's writers</description>
	<lastBuildDate>Thu, 02 May 2013 21:02:59 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.5.1</generator>
	<item>
		<title>By: Lyn</title>
		<link>http://www.jazzhouse.org/diary/2010/01/perception-of-emotion-in-jazz-improvisation/comment-page-1/#comment-59367</link>
		<dc:creator>Lyn</dc:creator>
		<pubDate>Sun, 26 Sep 2010 15:11:18 +0000</pubDate>
		<guid isPermaLink="false">http://www.jazzhouse.org/diary/?p=545#comment-59367</guid>
		<description><![CDATA[From Valerie Wilmer, &lt;i&gt;Jazz People&lt;/i&gt;, 1970, 1977, Chapter Ten: A Question of Influence, p.120:

&quot;...He [Jackie McLean] explained his essentially spontaneous approach to improvisation: &#039;First you have to have complete command of the instrument and then you leave the rest to your emotions. You go where your emotions take you. When I play I listen closely to the rhythm section and play exactly how I feel and then, too, if you have a melody in the beginning or some sort of form, a statement that you can go back to in the end, you can play from that.&#039;&quot;]]></description>
		<content:encoded><![CDATA[<p>From Valerie Wilmer, <i>Jazz People</i>, 1970, 1977, Chapter Ten: A Question of Influence, p.120:</p>
<p>&#8220;&#8230;He [Jackie McLean] explained his essentially spontaneous approach to improvisation: &#8216;First you have to have complete command of the instrument and then you leave the rest to your emotions. You go where your emotions take you. When I play I listen closely to the rhythm section and play exactly how I feel and then, too, if you have a melody in the beginning or some sort of form, a statement that you can go back to in the end, you can play from that.&#8217;&#8221;</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tuesday Links &#171; TuneBlog: By Dan DiPiero</title>
		<link>http://www.jazzhouse.org/diary/2010/01/perception-of-emotion-in-jazz-improvisation/comment-page-1/#comment-41640</link>
		<dc:creator>Tuesday Links &#171; TuneBlog: By Dan DiPiero</dc:creator>
		<pubDate>Wed, 20 Jan 2010 04:24:16 +0000</pubDate>
		<guid isPermaLink="false">http://www.jazzhouse.org/diary/?p=545#comment-41640</guid>
		<description><![CDATA[[...] A paper on the perception of emotions in improvisational music. [...]]]></description>
		<content:encoded><![CDATA[<p>[...] A paper on the perception of emotions in improvisational music. [...]</p>
]]></content:encoded>
	</item>
</channel>
</rss>
