{"id":487,"date":"2009-12-21T21:58:43","date_gmt":"2009-12-22T02:58:43","guid":{"rendered":"http:\/\/www.jazzhouse.org\/diary\/?p=487"},"modified":"2009-12-21T21:58:43","modified_gmt":"2009-12-22T02:58:43","slug":"ken-franckling-year-end-rundown","status":"publish","type":"post","link":"http:\/\/www.jazzhouse.org\/diary\/2009\/12\/ken-franckling-year-end-rundown\/","title":{"rendered":"Ken Franckling: Year End Rundown"},"content":{"rendered":"<p><strong>The 10 best new jazz releases of 2009, listed alphabetically:<\/strong><\/p>\n<p>&#8211; Lili A\u00f1el, \u201cEvery Second in Between\u201d (Wall-I Records)<\/p>\n<p>&#8211; Big Band Ritmo Sinfonica Citt\u00e0 Di Verona, &#8220;Restless Spirits&#8221; (Velut Luna)<\/p>\n<p>&#8211; Seamus Blake, \u201cLive in Italy\u201d (Jazz Eyes)<\/p>\n<p>&#8211; Mike Clark, \u201cBlueprints of Jazz, Vol. 1\u201d (Talking House)<\/p>\n<p>&#8211; Bill Cunliffe, \u201cBlues and the Abstract Truth, Take 2\u201d (Resonance)<\/p>\n<p>&#8211; Kat Edmonson, \u201cTake to the Sky\u201d (Convivium Records)<\/p>\n<p>&#8211; Steve Kuhn, \u201cMostly Coltrane\u201d (ECM)<\/p>\n<p>&#8211; LeBoeuf Brothers, \u201cHouse Without a Door\u201d (LeBoeuf Brothers Music)<\/p>\n<p>&#8211; John Scofield, \u201cPiety Street\u201d (EmArcy)<\/p>\n<p>&#8211; Joe Zawinul, \u201c75\u201d (Heads Up International)<\/p>\n<p><!--more--><\/p>\n<p><strong>The 10 best new songs of the year, listed alphabetically:<\/strong><\/p>\n<p>&#8211; Lynne Arriale, \u201cA Gentle Soul\u201d from \u201cNuance\u201d (Mot\u00e9ma Music)<\/p>\n<p>&#8211; Jeff Ballard, \u201cLady B\u201d from Fly\u2019s \u201cSky &amp; Country\u201d (ECM)<\/p>\n<p>&#8211; Scotty Barnhart, \u201cHaley\u2019s Passage\u201d from \u201cSay It Plain\u201d (Unity Music)<\/p>\n<p>&#8211; Gerald Clayton, \u201cPeace for the Moment\u201d from \u201cTwo-Shade\u201d (ArtistShare)<\/p>\n<p>&#8211; N. Glenn Davis, \u201cCome Right In\u201d from \u201cCome Right In\u201d (Jazzed Media)<\/p>\n<p>&#8211; Richie Goods, \u201cDesert Song\u201d from \u201cLive at the Zinc Bar\u201d (RichMan Productions)<\/p>\n<p>&#8211; Fareed Haque. \u201cBig Bhangra\u201d from \u201cFlat Planet\u201d (Owl Studios)<\/p>\n<p>&#8211; Sean Jones, \u201cThe Ambitious Violet\u201d from \u201cThe Search Within\u201d (Mack Avenue)<\/p>\n<p>&#8211; Mark Rapp, \u201cThank You\u201d from \u201cToken Tales\u201d (Paved Earth)<\/p>\n<p>&#8211; Greg Skaff, \u201cWillie D\u201d from \u201cEast Harlem Skyline\u201d (Zoho)<\/p>\n<p><strong>The best jazz boxed set or historic recordings of 2009, listed alphabetically:<\/strong><\/p>\n<p>&#8211; Dupree Bolton, \u201cFireball,\u201d (Uptown)<\/p>\n<p>&#8211; Miles Davis and Sonny Rollins, \u201cThe Classic Prestige Sessions, 1951-1956 (Prestige)<\/p>\n<p>&#8211; Lucky Thompson, \u201cNew York City, 1965-65\u201d (Uptown)<\/p>\n<p>&#8211; Freddie Hubbard, \u201cWithout a Song* (Live in Europe, 1969)\u201d (Blue Note)<\/p>\n<p>&#8211; Scott LaFaro, \u201cPieces of Jade\u201d (Resonance)<\/p>\n<p><strong>The best jazz-related DVDs of 2009<\/strong><\/p>\n<p>&#8211; &#8220;&#8216;Tis Autumn: The Search for Jackie Paris&#8221; (Outsider Pictures\/Naxos of<strong> <\/strong>America)<\/p>\n<p><strong>Ken Franckling<\/strong><\/p>\n<p><em>JazzTimes, JAZZIZ, Hot House<\/em><br \/>\nvisit my blog at: <a href=\"http:\/\/kenfrancklingjazznotes.blogspot.com\/\" target=\"_blank\">kenfrancklingjazznotes.blogspot.com\/<\/a><br \/>\nvisit my online gallery at: <a href=\"http:\/\/www.allaboutjazz.com\/php\/gallery2\/main.php?g2_itemId=25675\" target=\"_blank\">www.allaboutjazz.com\/php\/gallery2\/main.php?g2_itemId=25675<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The 10 best new jazz releases of 2009, listed alphabetically: &#8211; Lili A\u00f1el, \u201cEvery Second in Between\u201d (Wall-I Records) &#8211; Big Band Ritmo Sinfonica Citt\u00e0 Di Verona, &#8220;Restless Spirits&#8221; (Velut Luna) &#8211; Seamus Blake, \u201cLive in Italy\u201d (Jazz Eyes) &#8211; Mike Clark, \u201cBlueprints of Jazz, Vol. 1\u201d (Talking House) &#8211; Bill Cunliffe, \u201cBlues and the [&hellip;]<\/p>\n","protected":false},"author":36,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[100,41],"tags":[],"_links":{"self":[{"href":"http:\/\/www.jazzhouse.org\/diary\/wp-json\/wp\/v2\/posts\/487"}],"collection":[{"href":"http:\/\/www.jazzhouse.org\/diary\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.jazzhouse.org\/diary\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.jazzhouse.org\/diary\/wp-json\/wp\/v2\/users\/36"}],"replies":[{"embeddable":true,"href":"http:\/\/www.jazzhouse.org\/diary\/wp-json\/wp\/v2\/comments?post=487"}],"version-history":[{"count":6,"href":"http:\/\/www.jazzhouse.org\/diary\/wp-json\/wp\/v2\/posts\/487\/revisions"}],"predecessor-version":[{"id":493,"href":"http:\/\/www.jazzhouse.org\/diary\/wp-json\/wp\/v2\/posts\/487\/revisions\/493"}],"wp:attachment":[{"href":"http:\/\/www.jazzhouse.org\/diary\/wp-json\/wp\/v2\/media?parent=487"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.jazzhouse.org\/diary\/wp-json\/wp\/v2\/categories?post=487"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.jazzhouse.org\/diary\/wp-json\/wp\/v2\/tags?post=487"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}