[jja-announce] Re-sending Jazz Matters
dawnsingh
dawn at dawnsinghpublicity.com
Mon Jan 24 06:08:54 EST 2005
FOR IMMEDIATE RELEASE JAN 30, 2005
CONTACT: Dawn Singh
857-544-0739
dawn at dawnsinghpublicity.com
Jazz Journalists Association Presents Jazz Matters:"Artists Copyright
vs. Corporate Copyright"
The Jazz Journalists Association, a non-profit organization,
will present a panel of experts who specialize in copyright issues on
Wednesday, February 16, from 6-8 pm at the New School Jazz
Performance Space, 55 W. 13th St. in New York. The event is free and
open to the public and is the first in a series of four presentations
planned for Spring, 2005. Panelists include Gary Giddins, author of
"Weatherbird" (Oxford University Press) and former jazz critic for
the Village Voice; Jonny King, Copyright and Trademark Attorney, jazz
musician and author of "What Jazz Is" (Walker 1997); Norman
Schreiber, former Vice President of Contracts, American Society of
Authors and Journalists and 25-year veteran magazine journalist; and
Gail W. Boyd, President of Gail W. Boyd, P.C. and Gail Boyd Artist
Management.
Ongoing developments in intellectual property law continue to
highlight the debate over the rights of artists, the entertainment
industry, the media and the public to gain access to and use creative
works. Recent cases regarding peer-to-peer file sharing on the
internet, an author's right of attribution, and the extended term of
copyright protection have all touched on the sensitive allocation of
rights among those who create works, those who exploit them, and
those who seek to enjoy them. This panel has selected knowledgeable
commentators from the legal, artistic and journalistic community to
discuss the struggle to protect and encourage creative authors while
guaranteeing the public access to their creative output.
Nearly 25 years ago, Martin Williams called Gary Giddins
"probably the mos timpressive journalist ever to have written about
music." Born in Brooklyn, New York, Giddins graduated from Grinnell
College in Iowa, and began working as a freelance writer the
following year. In 1973, he joined the Village Voice, and a year
later introduced his column "Weather Bird," which he ended in
December 2003, closing a 30-year run during which he received
international recognition and won many prizes, including an
unparalleled six ASCAP Deems Taylor Awards for Excellence in Music
Criticism.
Giddins' writings on music, books, and movies have appeared
in The New York Times, The New Yorker, Esquire, The Atlantic, Grand
Street, The Nation, and many other publications. He presently writes
music columns for Jazz Times and Tracks, and about movies for the New
York Sun. His first book, Riding on a Blue Note, appeared in 1981,
and was followed by Rhythm-a-Ning, Faces in the Crowd, and critical
biographies of Charlie Parker and Louis Armstrong that he adapted
into documentary films for PBS; he subsequently won a Peabody award
for writing the PBS documentary, John Hammond: From Bessie Smith to
Bruce Springsteen. He won a 1987 Grammy Award for his liner notes to
Sinatra: The Voice, and was nominated on two other occasions.
In 1986, Giddins and the late pianist-composer John Lewis
introduced the American Jazz Orchestra, which presented jazz
repertory concerts for seven years-in all, more than 35 concerts. He
also produced four concerts for Festival Productions at the JVC Jazz
Festival.
In 1998, his classic Visions of Jazz received the National
Book Critics Circle Award in criticism--the first time a work on jazz
has won a major American literary prize. In 2001, he was featured in
Ken Burns's Jazz and published his widely acclaimed biography, Bing
Crosby: A Pocketful of Dreams, which won four prizes, including the
Ralph J. Gleason Music Book Award and the Theater Library Association
Award for the year's best book on film and broadcasting. Giddins has
held teaching posts at Columbia University, University of
Pennsylvania, Rutgers, and New York University. In 2003, he received
a lifetime achievement award from the Jazz Journalist's Association.
His current book, Weather Bird: Jazz at the Dawn of Its Second
Century, a collection of essays and reviews written between 1990 and
2003, was published by Oxford University Press in November 2004.
Oxford will publish a selection of his film and literary writings in
2005.
Jonny King is a working professional jazz musician and a
copyright and trademark attorney in New York City. King has 25 years
experience as a touring musician, composer and arranger. He has been
a member of the Joshua Redman Quartet, OTB and the Eddy Harris Group
and has also led his own bands in major New York City venues. His
compositions may be heard on albums featuring many of today's major
performers and he was previously been signed to Enja Records and
Crisscross Records, with his Enja recordings earning 4 1/2 stars from
Downbeat Magazine.
A graduate of Princeton University and Harvard Law School,
King is a practicing intellectual property attorney at Cowan,
Liebowitz & Latman, one of the country's oldest and most established
IP boutiques. King has represented clients in various industries,
from music to consumer products and pharmaceuticals. He has been
closely involved in a number of ground breaking disputes regarding
the use of music on the internet. King is the author of articles and
regarding intellectual property and wrote "What Jazz Is" (Walker
1997), a primer in jazz from a musician's point of view.
Norman Schreiber is past Vice President of Contracts for the
American Society of Authors and Journalists and a 25-year veteran
magazine journalist and author of "The Ultimate Guide to Independent
Record Labels and Artists," among other works.
Gail W. Boyd is President of Gail W. Boyd, P.C., an
entertainment law firm, and Gail Boyd Artist Management, a wholly
owned company of the law firm. She is a graduate of DePaul
University and DePaul University School of Law. She was a founding
partner in Boyd Staton and Cave, the first African American female
law firm in New York. Boyd has specialized in entertainment law
since 1976 and in jazz since 1979.
Boyd is the former Vice Chair of the Entertainment, Sports,
Art Law Committee of the National Bar Association. She also chaired
the Entertainment, Sport, Art Law Committee of the Metropolitan Black
Bar Association and served as a member of the New York State Bar
Association's Committee on Entertainment Law. Boyd is an attorney
and board member of the International Women in Jazz and served as a
member of the Jazz Jam Committee of the National Association of
Recording, Arts and Sciences.
In 1968, Boyd had the privilege of acting as production
coordinator for Quincy Jones producing a concert in Central Park.
She has also served as production coordinator for more than ten jazz
CD and recently co-produced a gospel album for the choir of Emmanuel
Baptist Church.
As a lawyer, Boyd has represented Betty Carter, Tommy
Flanagan, Kenny Barron, and Randy Weston. Artists currently
represented by Gail Boyd Artist Management are: John Clayton; the
Clayton-Hamilton Jazz Orchestra; the Clayton Brothers Quintet; Don
Braden; Terri Lyne Carrington; Babatunde Lea; Bujo Kevin Jones, and
Elio Villafranca.
The Jazz Journalists Association is a 501 (c) 3
not-for-profit organization of internationally-based writers,
editors, photographers, broadcasters and media specialists who
institute collegial and educational programs for the appreciation,
documentation and promulgation of jazz. As of January 2005, JJA
comprises more than 400 members, mostly in the US and Canada, but
also in Australia, Europe, the UK, Japan, Mexico, Moscow, South
Africa and South America. For more information, see the JJA website
at www.jazzhouse.org.
For more information on the Jazz Journalists Association or the Jazz
Matters panel on February 16, contact Dawn Singh, 857-544-0739 or
dawn at dawnsinghpublicity.com.
The next Jazz Matters Panel will be Wednesday, March 23.
Lois Gilbert is Jazz Matters Producer and Owner of Jazzcorner.com
(www.jazzcorner.com) Contact her at: lois at jazzcorner.com.
JPEG available:
Gary Giddins
--
Dawn Singh
Dawn Singh Publicity
75 Rossmore Road #4
Jamaica Plain, MA 02130
857-544-0739
617-395-7743 (f)
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